Best known for transcendent works like Calling All Angels, Love Is Everything, and the iconic Mimi On The Beach, she has created a singular body of work that defies categorization.

Her haunting contribution to The Crow soundtrack, It Won’t Rain All The Time, continues to resonate more than ever three decades later.

Despite a prolific career, Siberry reflects: “I feel like I’m inching my way toward my prime.”

AN ARTIST IN AN INDUSTRY IN FLUX

Siberry has long been at the vanguard of artists reshaping the relationship between creativity and commerce.

After parting ways with Warner/Reprise Records in 1996, she founded her own label, Sheeba, and pioneered a “pay-what-you-can” model for music downloads—inviting audiences into a trust-based creative economy. When asked what this model trusts in, she simply says, “All that is Good.”

Similarly, in a desire to break free from the confines of traditional touring, Siberry expanded her performances to include intimate “salon” tours in living rooms around the world—from llama farms in New Zealand to garages in Australia, kominkas in Japan, kitchens in Finland, and bell towers in rural England—creating connection and community. Her performances are described by audiences as intense, heraldic, funny, and trustworthy (meaning “audiences might feel freer to shed a tear”). She feels extremely privileged to be a musician.