|The 12th annual Halifax Urban Folk Festival announces its|
line up of shows at The Carleton, August 29 – September 5
Showcasing singers, songs, and stories, the 12th annual Halifax Urban Folk Festival is delighted to announce this year’s line-up of shows at The Carleton in Halifax
August 29 Songwriters Circle featuring Carleton Stone + Sunsetto + Erin Costelo
August 30 Reeny Smith Band w/ an opening Songwriters Circle featuring
Jah’Mila + Keonté Beals + Mahalia Smith
August 31 Matt Mays – Mantle Music LIVE!
September 1 Braden Lam Band w/ an opening Songwriters Circle featuring
Keeper E. + Pillow Fite + Awolk
September 2 Christina Martin Band w/ an opening Songwriters Circle featuring Burry + Taryn Kawaja + Zamani
September 3 Andrew Waite & The Firm
September 4 Postdata w/ an opening Songwriters Circle featuring Blue In Tokio
+ Mathias Kom + TBA
September 5 Nathan Wiley Band w/ Dusted
Buy tickets here: halifaxurbanfolkfestival.com and TheCarleton.ca.
“Like last year, the talent has been programmed exclusively from the Atlantic region,” says Mike Campbell, Artistic Director, Halifax Urban Folk Festival. “And COVID-19 has dictated that the 2021 Halifax Urban Folk Festival will again be smaller than usual but smaller doesn’t mean less mighty. We are happy to be able to bring some much-needed live entertainment to audiences we know are starved for it.”
In addition to eight nights of music at The Carleton, HUFF fans and music lovers will also be treated to shows at Grand Parade Square, Brightwood Brewery and New Scotland Brewery. HUFF has partnered with the City of Halifax and the Patio Lantern Festival to bring free live music to the Grand Parade Square Stage over the Labour Day weekend. The shows at Brightwood Brewery and New Scotland Brewery will take place on September 4 & 5 and will also have free admission. Performers for those three stages will be announced next week.
The Halifax Urban Folk Festival is funded by Canadian Culture & Heritage, Province of Nova Scotia, and the Halifax Municipality and is generously sponsored by the Bank of Montreal along with the Downtown Halifax Business Commission, New Scotland Brewing, Brightwood Brewing and The Carleton.
About the Halifax Urban Folk Festival
The Halifax Urban Folk Festival (HUFF) is a provincially registered, not-for-profit society, dedicated to celebrating songs: the people who write them and sing them and the stories associated with them. Since 2010, HUFF has employed hundreds of regional, national and international artists with shows presented in an urban festival setting, utilizing live music venues in Halifax, NS.
For more information on HUFF, visit: halifaxurbanfolkfestival.com and follow socially on:
If there’s anything good about the summer winding down, it’s because that means it’s time for the annual Halifax Urban Folk Festival, happening at The Carleton from Sunday, August 26th – Sunday, September 2nd, inclusive. This 9th version of HUFF boasts one of our best-ever line-ups and although the Steve Poltz/Carmen Townsend and Tim Baker & The Halifax All Stars shows are already SOLD OUT, there are plenty of other great shows still to choose from!
Do yourself a favour and come out to see, and hear, some of the best live music in Halifax. This festival rocks!
We’re back in business baby and The Blue Lane is going to entertain us all on our first open Saturday – February 10th – since the renovations started waaaaay back before Christmas in the year 2017. We’re encouraging everyone to come in to see what we’ve done with the place (a TON of stuff), so we’re making it easy with a cheap $5 admission at the door and live music starting around 9 PM. We’re excited, we hope you are too!!!
The Blue Lane is one of our local favourtes and they play a fusion of rockabilly, jazz, blues, indie rock and pop music. The band has a unique sound that weaves sultry vocals, intricate harmonies, jazzy guitar shreds and passionately thick beats. In 2017 The Blue Lane released their 2nd EP Blind and the five song EP was awarded Music Nova Scotia’s “Jazz Recording of the Year.”
Since 2015, ECMA award winning artist Rachael Henderson (lead vocals/bass), Morgan Alexander Cruickshank (guitar/vocals), and “The Machine” A.K.A Connor Booth (drums/vocals) have been writing and performing genre-blending original music.
Take a ride with The Blue Lane, you’ll like it!
If you’re at loose ends on Valentine’s Day, we’ve just announced a 3-course Dinner & Show Special available for Ariana Nasr‘s appearance on February 14th for only $65 per person! Please note, there are a limited number of these tickets and the prix fixe meal is only available with this deal.
Here’s the menu for the night…
Seared Digby Scallop – Celery Root Puree, Wild BC Side Stripe Shrimp Bisque, Crispy Potato, Fresh Herbs
Braised Short Rib – Slow Braised Atlantic Beef Short Rib, Roasted Forest Mushroom, Lobster Polenta Fritters, Red Beet, Red Wine Jus
Chocolate Tart – Dark Belgian Chocolate Ganache, Goat’s Milk Caramel, Raspberry, Sea Salt
We’ll have an a la carte menu on the night if you’re only buying regular tickets. Also available, two kinds of local bubbly by the glass: L’Acadie Vintage Cuvée and L’Acadie Cuvée Rosé at $9 for a five ounce pour.
It’s taken years longer than it was supposed to but if the city’s to be believed, the Nova Centre will be open soon (tenants in the office tower are moving in this week) and the Argyle Streetscaping project is functional NOW. If you haven’t been downtown recently – or even if you have and can’t figure out how it works – here’s what we’ve gotten from the city on the subject!
Argyle is now a shared street and while it looks for all the world like a strictly pedestrian mall, it isn’t; there is traffic allowed on it and we don’t want you getting hit by a car or truck while meandering about with your earbuds in, staring down at your device of choice. Once everyone gets used to it – especially once the permanent patios are constructed in the spring (including the beauty one The Carleton will be building) it’ll become a lot clearer. In the meantime, read this snappy brochure and familiarize yourself with the dos and don’ts, we look forward to seeing you when you come back downtown to take a look at it all!
Man, first an unimpeachable American talent like Tom Petty leaves us suddenly and then – even though we knew it was going to happen – we get the news today that we’ve lost the irreplaceable Gord Downey.
I spent the better part of the afternoon responding to questions from TV crews and radio hosts, much as I did two weeks ago after Petty’s death and even though it was only a matter of time for Gord, it’s still a very tough pill to swallow, knowing that he’s gone and he’s not coming back. I expect we all feel this way; that we all held out hope for some miracle, that somehow he – of all people – would be spared because he deserved to be spared.
The questions were what one would expect: When did you first meet him? When did you know the band was going to be big? What was he like personally? What has Canada lost? What, do you think, will be his legacy?
Whatever my answers were, they don’t come close to actually articulating what his loss means to us, to the country. And not because he was an iconic Canadian musician, he most certainly was, but because he was an exemplary human being, regardless of the accident of his nationality.
Yes, he wrote about this land we all love, and he communicated, expressed, that love better than anyone I’ve ever met but he also wrote about our shortcomings, our collective historical sins and our need to learn more about ourselves and to embrace – and acknowledge those, despite revisionist, or sins-of-omission, history.
Knowing that he had a limited time left with us, he chose to focus his remaining attention and creative juice speaking up for those who did not have the means he had at his disposal to do it. Imagine for a minute. Would you, or I, have done that? That’s a completely other level of courage and Gord had no shortage of that.
We are SO lucky to have been given warning of this! Perhaps that was the universe “sparing” us a greater grief. It allowed him to give us all he had to give before leaving: the final tour, the incredible documentary “Long Time Running,” the brief Secret Path tour, the new album that’s coming out soon. Honestly, I don’t know anyone, healthy or not healthy, that could have crammed that much production into such a short period of time with such beautiful, and selfless, results.
He was a singular performer and we’d not seen anyone like him before he came along and we won’t see anyone like him now that he’s gone. Be thankful you lived when he did and if he meant anything to you, honour him by trying to live your life the way he did – with grace, and compassion, and tolerance, and with the courage to change what you can to make life for those less fortunate even just a little bit better.
I am a better person for having known him and I will miss him…
The Carleton and ‘The Patron Saint’ of the Halifax Music Scene
August 23, 2017
If ever there was a venue to personify the spirit and resolve of the Halifax music scene, it might be The Carleton Music Bar & Grill.
Since opening almost a decade ago, the venue has built a reputation for its impeccable sound and programming of A-list Maritime singer-songwriters, indie rockers, writers, poets and comedians. Not to mention world-class out-of-towners, often flown in on the dime of its affable founder and talent buyer Mike Campbell’s Air Miles reward points (true story). For his efforts, the venue has received numerous awards, including three East Coast Music Awards, seven Music Nova Scotia Awards for Venue of the Year, and the 2017 Canada Live Music Award for best small venue in the country.
The small but mighty room is as synonymous for its cozy live shows as it is for Campbell, the venue’s original owner and irrefutable face of the place, whose mug you may recall seeing during his days on the MuchMusic airwaves from 1988-2002, where he co-hosted Mike and Mike’s Excellent X-Canada Adventures and filled the role of host/videographer on his own MuchEast show and, eventually Going Coastal.
From top to bottom: Vintage MuchMusic clips of Campbell, including the final episode of Mike and Mike’s Excellent X-Canada Adventures, and an amusing interview with The Flashing Lights.
For the proud Haligonian, spreading the gospel of the East Coast music scene wasn’t something that he was ever going to stop doing, despite laying to rest his proverbial microphone with the TV channel.
Four years after ending his tenure with the network, Campbell and his former Much co-host Mike Rhodes concocted a plan to open a bar and restaurant with a small live music component, hoping to draw people in on whatever remained of the Mike and Mike brand.
“First of all, I’m not insane,” says Campbell, over the phone from Halifax. “The idea of opening up a full-time music venue never even crossed my mind.
“My partners noticed that with the acts I booked that we’d fill the place, so they started insisting I book more acts.”
With decades of know-how and industry connections behind him, he secured East Coast favourites like Joel Plaskett, Jill Barber, Matt Mays, Jenn Grant, Gordie Sampson, Rose Cousins, Matt Andersen, Amelia Curran, Jimmy Rankin, Lennie Gallant, David Myles, the late Ron Hynes, and others.
And thanks to his Air Miles fly-in model, Campbell continued to put his influence and limited resources to good use by flying up singer-songwriters and then assembling backing bands of all-star East Coasters on their behalf, specifically for events like the Halifax Urban Folk Festival (HUFF). Because of this, he’s also managed to bring in international headliners, such as Robyn Hitchcock, Dave Pirner (Soul Asylum), David Lowery (Cracker, Camper Van Beethoven), Chuck Prophet, Midge Ure, Alejandro Escovedo, Lloyd Cole; and celebrated Canadians, like John K. Samson, Art Bergmann, Moe Berg (The Pursuit of Happiness), Neil Osborne (54-40), Jane Siberry, Ron Sexsmith, The Northern Pikes, and many, many more.
But it’s never solely been about the names that he was bringing in that made a night at The Carleton so special. There were many things at play: It was the 360-degree sound configuration, where guests could experience pristine sound no matter where they were in the space; it was the intimacy of the under-150 capacity room, akin to a one-on-one between audience and artist. The Carleton, as Campbell calls it, was created to be “a listening room.”
To realize that vibe, Campbell implemented a no-talking policy during sit-down acoustic shows on weekdays, which he says came with a training period but people eventually came to appreciate and expect.
“I knew from attending shows at other places that I hated shows where people just talked openly through acoustic shows,” he says. “It was usually up to me as someone who had bought a ticket to go up to another table, disrupt them, and ask them to please be respectful and keep it down—or better yet, ‘Shut up!’”
That’s not to say that things don’t get a little rowdy during the venue’s standing-only weekend gigs. In fact, all restrictions on yakking go out the window on a typical Friday and Saturday night. “There’s definitely nights where if you can hear yourself think over the band, then good for you,” Campbell says with a chuckle.
Rich history that goes back to 1759
Like many great Canadian music venues, The Carleton’s origins are as important as the artists and epic live shows it’s hosted. Located on Argyle Street in one of the oldest buildings in Halifax (built in 1759), its legacy as a hub for music-lovers goes back to the beginning of Halifax itself. To see it still standing two and a half centuries later is a testament to its resilience.
The Carleton (previously known as The Carleton House) was the former residence of Richard Bulkeley, a British army officer and provincial secretary of Nova Scotia who took part in the founding of Halifax, and is often referred to as “The Father of the Province.”
Also an amateur organist and choir leader, Bulkeley is said to have enjoyed hosting parties with royalty and other high-ranking officers at his mansion home, The Carleton House, as much as he did promoting music at the nearby St Paul’s Anglican Church. As such, he has also been described as “the father of music in English-speaking Canada.”
Even the exposed stonework inside the venue’s walls today are rumoured to have been built from the slate from the the Fortress of Louisbourg, which was taken from the French for a second time in 1758.
Around the turn of the 20th century, the mansion was expanded to become a hotel, where many vaudeville entertainers travelling through the city would rest their heads. Escape artist Harry Houdini is among those who stayed there.
It’s easy to understand why Campbell considered it the ideal locale for his business aspirations. But for all the historical touch points, it’s Campbell’s amiable personality and tireless efforts to promote good music that’s kept the space relevant centuries later.
Champion of music
Nashville-based singer-songwriter Steve Poltz, also a founding member of San Diego rock group the Rugburns and co-writer behind Jewel’s massive 1996 hit “You Were Meant For Me,” became fast friends with Campbell in 1998 after being interviewed by the then MuchMusic VJ during the press tour for his first solo album, One Left Shoe.
“He was such a fan of music, so we started talking, and he was like ‘Hey man, I’m gonna come to your show tonight,’” says Poltz, speaking from the Toronto Pearson International Airport, coincidentally on his way to Halifax for a stint at The Carleton.
Campbell, of course, showed up and stayed for the entire gig. And being the good Maritime host that he is, invited Poltz over to his backyard booze can, called the Tiki Bar, afterwards. “It’s kind of a famous hangout where everyone’s been,” he says. That list of “everyone” includes Guided By Voices, Deer Tick, Win Butler (Arcade Fire), the Tragically Hip, members of Broken Social Scene, Tom Cochrane, Sam Roberts, Ron Sexsmith, Sarah Harmer, 54-40, Big Sugar, Treble Charger, and the list goes on.
“I ended up sitting in his Tiki Bar and we had the best time. I was probably there until the sun came up, just yakking away, and that’s when he put on Joel Plaskett Emergency. I fell in love with this song that he had called “Light of the Moon.” I probably made Campbell play it 15 times. That guy is such a champion of music. He didn’t have to do that, he didn’t have to invite me to his house and show me this Maritime hospitality, and then play me Joel’s record—but that’s just Mike. That’s how he rolls.”
From top to bottom: Joel Plaskett performing “Light of the Moon,” and a montage of a Boxing Day gig in 2010 at The Carleton where the artist made a guest appearance.
When Campbell eventually got The Carleton off the ground, Poltz was one of the first artists that he tried to book. Poltz has since played the venue an estimated 40 times since 2008.
“For Steve’s early shows I offered a money-back guarantee,” says Campbell. “I was like, ‘After the show, if you can come up to me with a straight face and tell me that you didn’t think that was worth your money, I’ll give you your money back. And it won’t be out of Steve’s take, it will be out of my pocket; we’ll never be friends again because you’re an idiot, but I’ll give you your money back. No one has ever taken me up on that. I also did that with July Talk.”
In 2013, an on-the-rise July Talk was just starting to tour outside of Toronto when they performed at The Carleton for the first time. “I booked them on a Wednesday and nobody here had ever heard of them,” says Campbell. “I’d seen the first video for “Paper Girl,” and I called the agent back and said ‘Yeah, we’re doing this.’”
From top to bottom: July’s Talk’s video for “Paper Girl,” and their infamous 2013 appearance at The Carleton.
It was a wild sold-out show—their first sell-out outside of Toronto—that culminated in frontwoman Leah Fay romping around the stage with a lampshade on her head. That first gig made an impression on the local scene and the band would go on to sell-out two more shows at The Carleton that same year, along with another at the larger capacity Seahorse Tavern. “Then the band just got way too big for me to handle,” says Campbell.
Hangout for the who’s who of Halifax
Entering The Carleton is like “walking into a time capsule,” according to Tanya Beers, an active member of the Halifax music scene, who’s worked as a bartender at The Carleton since 2011.
The venue is plastered with old MuchMusic memorabilia and show posters of East Coast giants, like Thrush Hermit, Joel Plaskett Emergency and The Super Friendz, torn from the walls of the Marquee Club, where Campbell used to book talent from 2004-2005 (FYI: Before opening The Carleton, he also used to manage Plaskett with current manager Sheri Jones).
“As a kid I always wanted to be a VJ, but I was so shy,” says Beers. “Watching Mike and Mike’s X-Canada Adventures and MuchEast, I was just glued to that as a teenager. He was always interviewing new and up-and-coming East Coast bands. To get a job working side by side with Mike Campbell is sort of like a dream come true.”
During her time working at the venue, she says she’s had her fair share of run-ins with well-known musicians, yet it was another classic MuchMusic VJ that left her feeling a little star struck. “Earlier this summer [Kim Clarke Champniss] was in town for a visit with Mike, and I was working a day shift at the bar,” she remembers. “I was like, ‘Oh my god here he comes. I remember you from when I was a kid!’”
With music veteran Campbell at the helm, the venue tends to attract some notable figures—recognized personalities, Halifax music scenesters, touring acts—and people that just want to drop in and say hello to the beloved Haligonian.
“There’s always people stopping in and asking for Mike,” says Beers. “On a Friday or Saturday night you could pretty much see anyone. You’ll see a lot of local musicians. I call them guest appearances. Sometimes if there’s a band on stage and they see someone in the crowd, they’ll call them up. If a band is playing and Matt Mays happens to be floating around, it’s nothing for Matt to get up or Adam Baldwin to get up on stage. Sometimes if Joel Plaskett’s in the house, he’ll get up.”
Super duo Plaskett and Poltz performing during an August 2017 concert at The Carleton. Photo supplied by Mike Campbell.
Poltz is one such artist to call ‘ole Plaskett up to the mic for an impromptu set. “He came to one of my shows and I threw a guitar at him,” he recalls. “He played with me on stage and then we unplugged and stood on tables and played for all of the bar. I love that memory.”
On death’s doorstep
Despite strong support from the local and touring music community, the venue has struggled to keep its doors open, in large part due to years of disruptive construction on the adjacent one-million-square-foot Nova Centre, along with the evening and weekend closures of the Macdonald Bridge that connects Halifax to Dartmouth, where half of the local population lives. It’s resulted in less foot traffic to the area and other venues and restaurants moving from the neighbourhood or closing altogether.
“The result has been catastrophic,” says Campbell.
In 2015, the venue was in serious jeopardy of closing. Not willing to go down without a fight, Campbell started a crowd-funding campaign to buy him some time, with the intention of raising enough funds to support The Carleton for a one-year period, after which construction was slated to end, though two years later it’s still not complete.
A video plea used as part of the crowd-funding effort features a slew of well-known artists, such as Plaskett, Poltz, Adam Baldwin, Jenn Grant, Robyn Hitchcock, Stephen Fearing, Barney Bentall, and July Talk, imploring viewers to “Save The Carleton.”
Many renowned musicians appear in this video plea used to ‘Save The Carleton.”
“It’s important for us to rally together to help save The Carleton,” Plaskett says in the video. “Mike does such a great job with local music. It’s without a doubt one of the finest clubs in Canada and North America.”
“If there is anything that you personally can do to keep The Carleton alive, please do it,” follows Peter Dreimanis of July Talk, wearing a shirt with Mike Campbell’s name scrawled across it.
“We really hope that you’ll be able to keep this place alive and running,” says Grant. “We’re asking for your help.”
Indeed, in his time of need, some of the same musicians that Campbell had rallied behind over the years lined up to show their support for him and the venue.
“When he was in trouble, all of these musicians were just like, ‘Anything you need,’” says Poltz. “We all banded together because we didn’t want to see him lose The Carleton.”
“People came out in force,” says Campbell. “We probably averaged $5,000 per month to keep our boat afloat. I asked for a year commitment because that’s when the convention centre was supposed to be finished and, of course, it wasn’t…Without that, we wouldn’t have lived through that horrible year, and even with that it wasn’t enough to keep us going.”
While the campaign kept the venue above water for a short period of time, The Carleton continued to struggle, and several silent investors decided to pull out of the venture after years of not making any money. In the end, Campbell, too, had to sell his share of the space.
At the 11th hour, though, an angel investor—Karen Spaulding, a loyal customer and local businesswoman—came through to purchase the place. Her only caveat? She wouldn’t buy the bar unless Campbell remained involved and it continued to be a live music venue.
“If it isn’t an actual miracle, it’s pretty damn close,” says Campbell.
“With the new owner that’s committed to it, we need to answer the question of how do we keep this place afloat so we can keep doing what we’re doing?” he continues. “In this part of the world, there’s no shortage of good artists…The music tradition lives here but, just like many other venues across the country, we’re just having a tough time getting people to come out.”
“Mike is like the patron saint of music,” Poltz says. “There needs to be a statue of him, like there’s statues of St. Anthony. Lord knows he doesn’t make any money. That guy is constantly trying to make his mortgage, his phone bill, yet he is a tireless supporter of musicians.
“If he were to leave, there would be a void in Halifax. He’s built that place…and he’s cultivated a scene with his own two hands.”
Make sure to visit The Carleton the next time you’re in Halifax, and if you’re in the vicinity visit it often. More info on upcoming shows can be found at thecarleton.ca.
– Julijana Capone
Julijana Capone will travel to Halifax to visit The Carleton and (if invited) the Tiki Bar if it’s the last thing she ever does. She can be reached at firstname.lastname@example.org. Stay tuned for more articles about beloved, bygone, and still-kicking music venues across the country.
Update: Invitation to the Tiki accepted. Thank you, Mike Campbell!
Our two shows (June 27th and 28th) featuring songwriter buds Chris Ledrew, Paul Lamb, Cory Tetford and Barry Canning – A Newfoundland Songwriters’ Night – both sold out BUT we’ve just released a handful of tickets for each night. So, if you were too slow on the draw the first time, you’ve got a shot at redeeming yourself but you’d better hurry!
We’re hauling out the projector and cranking up the sound system on Saturday, June 24th to relive that amazing final Tragically Hip show from last summer. The show starts at 9 PM and runs through until midnight and, of course, there’s no charge to watch it with us.
Once that show’s over, we’ll have The Legendary Goldblooms on our stage for the live music portion of the night. That’ll get underway at midnight and will be $5 at the door. That’s a pretty full night of fun. You should think about coming early to stake out a good vantage for the Hip viewing and, you know, have some food too!
The city is ripping up Argyle Street (we know, we know, it’ll be fab when the work is done) but we’re still open for the bizness and have great food, great drinks and great live music. That’s a lot of “greats,” right? If you haven’t been in lately here’s what our June menu looks like while our new chef – Michael Dolente – transitions our kitchen into his kitchen…
Come on in and try the offerings, as we say, they’re great!